Recording classical music requires more than technical precision. It demands an understanding of structure, balance, and the subtle tensions that give a performance its meaning.
With training as both a musician and a Tonmeister, I listen with a performer's ear and shape with an engineer's mind. This dual perspective allows me to serve the music, and the musicians, with both insight and restraint.
As a Tonmeister, I deliver complete audio recordings on location, adapting to your project's scale. Whether working solo for intimate sessions or organizing full production teams for orchestral recordings, I maintain the highest technical standards through collaboration with Polyhymnia International.
Full on-location sessions with attention to balance, timing, and natural acoustic character. From recording direction to final production, we oversee every detail.
Thoughtful direction that respects artistic autonomy. We support musicians in shaping interpretation, selecting takes, and building musical tension.
Live and semi-live workflows for broadcasters including NPO and WDR, with final production in accordance with broadcast standards.
Transparent amplification for classical and crossover performances in churches, concert halls, and open-air venues—always preserving tone and musical feel.
My training at the Conservatory taught me how music breathes—how performers think, what a score demands, where the tension lives. My Tonmeister training taught me how to capture that with precision.
From our first conversation to final delivery, I guide the entire process. There's no handoff between departments, no loss of continuity. Your musical vision stays intact because the same ears and hands are with you throughout.
Recording sessions can feel intense. My approach is to build a calm, structured environment where you can focus entirely on your interpretation. I handle the technical complexity so you don't have to think about it.
Each project is approached with the same level of care, whether it is a solo recital, chamber music, or a full orchestral recording.
My role goes well beyond recording. With the care of an acoustic designer, I shape a space where calm and clarity prevail. While the artist interprets, I listen, refine, and shape the recorded image with understanding and precision.
The result: recordings that feel natural, balanced, and true to the performance.
Based in Kortrijk, Belgium, we work primarily on location, bringing all necessary equipment to concert halls, churches, studios, and performance spaces.
We support projects throughout Belgium and across Europe, with experience in the Netherlands, Germany, and Canada.